Katzenmusik
SOUND DESIGNER AND COMPOSER
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Katzenmusik is a bleak yet darkly comic reflection on class and society. For this production I focused a lot on manipulating organic, analogue sounds, with various steps of augmentation, including; guitar pedals and amps, contact mic manipulation and various effects plug-ins through Live Professor. On this production, I also utilised the opportunity to experiement the TiMax SoundHub and create a fully spatialised system in RCSSD's Webber Douglas studio theatre space.
Katzenmusik is a bleak yet darkly comic reflection on class and society. For this production I focused a lot on manipulating organic, analogue sounds, with various steps of augmentation, including; guitar pedals and amps, contact mic manipulation and various effects plug-ins through Live Professor. On this production, I also utilised the opportunity to experiement the TiMax SoundHub and create a fully spatialised system in RCSSD's Webber Douglas studio theatre space.
All photos courtesy of Cam Harle
DIRECTOR: Philip J Morris
SET AND ASSOCIATE COSTUME DESIGNER: Tzung-Hui Lauren Lee
COSTUME DESIGNER: Georgios Fytas
LIGHTING DESIGNER: Nell Golledge
SOUND DESIGNER & COMPOSER: Bili Keogh
PROJECTION VIDEO DESIGNER: Ryan Watson
FIGHT DIRECTOR: Jonathan Leverett
COSTUME SUPERVISOR: Pippa Batt
ASSISTANT COSTUME SUPERVISOR & HEAD OF WARDROBE: Corvus Le Merchant Dane
STAGE MANAGER: Amelie Farrow
DEPUTY STAGE AMAGER: Bea Hart
ASSISTANT STAGE MANAGERS: Seraphina Denton & Alison Rae
HEAD LX: Phil Burke
DEPUTY LX AND LX PROGRAMMER: Gregory Essex
PRODUCTION SOUND ENGINEER: Maria Jenkinson
PRODUCTION MANAGER: James Thompson
ASSISTANT PRODUCTION MANAGER: Alicia Quah
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